July 28, 2004

Don Knotts

Don Knotts had a birthday recently (July 21st), which i failed to properly commemorate on this here blog. i referenced him briefly in a short post below, and now i'm going to tell you what his greatest role was.

While a lot of people swear that The Incredible Mr. Limpet is the best Don Knotts movie, i think people who think that are all wet. Knotts excelled at the physical comedy of facial expressions. Limpet was a cartoon, so it by definition cannot be the best DK movie.

The Ghost and Mr. Chicken is a strong contender. Knotts' character is named Luther Heggs, a perfect name for a DK character. i loved the whole scene where he spends the night in the haunted house. Remember the crazy organ music? Knotts was at his shaky best.

i liked The Reluctant Astronaut just a little bit better, partly because i like space movies. This one came out in 1967, at the height of the space race. The premise is typically DK: he gets a job at NASA, tells his family and his girlfriend that he is in astronaut training, when in fact he's just a janitor, hijinks ensue, his family finds out about the charade, they're terribly disappointed, then even though he's Acrophobic, he blunders onto a spaceflight, actually becoming a reluctant astronaut , more hijinks ensue. It's predictable, but still a must see.

i also liked The Apple Dumpling Gang, where DK teams up with Tim Conway as a pair of stereotypically incompetent but loveable bank robbers.

But the funniest Don Knotts movie, in my opinion, is the often overlooked How to Frame a Figg, from 1971. Here's a couple of comments from the IMDB page:

'How to Frame a Figg is a vintage Don Knotts - frenetic, farcical comedy, and features him at the top of his form as the hysterical, cat-on-hot-tin-roof nervous, persecuted civil servant Hollis Figg.'

'If folks were really this stupid I could be the SRW - Supreme Ruler of the World. In this one Knotts plays a dimwitted bean counter for some little jerk water town run by a group of crooked simpletons only slightly brighter than he is. When things appear a bit shaky for the crooks they go for a frame-up of the patsy Figg. Plenty of laughs as Knotts does his usual bumbling, stumbling act. I especially appreciated the extension cord scene; asininity at it's highest level.'

The opening scene with the ambulance is pathetically absurd, but i won't ruin it for you, it's one of my favorite comic scenes ever.

Best Don Knotts movie: How to Frame a Figg. Go rent it tonight and let me know if you agree or disagree.

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July 02, 2004

Thoughts On Some Movies i Saw On AMC This Week

. . . The fight scene in Rocky II is perhaps the greatest fight scene in the history of movies - but only if you accept the dubious possibility that two professional heavyweights would, or could, go 15 rounds without ever once protecting themselves, and that any referee would ever allow such a thing. . . .

. . . There's a really good reason why Ralph Macchio's career never caught fire after doing the Karate Kid movies: he is without a doubt the most annoying actor in the history of film. . . .

. . . What is it with you guys and The Blues Brothers movie? It must be some defect in the y chromosome that makes you love it so much because - face it - that movie really sucks. . . .

. . . Amityville II, The Possession shares a distinct honor with Superman III in my book. They are both completely and utterly unwatchable. . . .


Have a great Fourth of July weekend everybody! i'm outta here.

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Brando Memories

It doesn't seem to be widely reported yet, but Drudge links to a story that Marlon Brando has died.

Calling him the greatest actor of all time is a bit of a stretch. Still, Brando did some good work in his day. My favorites are On the Waterfront, Streetcar Named Desire of course, and the Godfather. His part in Apocalypse Now, although brief, was memorable. On the other side of the ledger, i thought he was horribly mis-cast in that musical Guys and Dolls.

And what was up with that strange Oscar non-acceptance episode?

To sum up my opinion: weird guy, decent actor.

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